Bibliography

Selected Bibliography and Publication Forums for Cinema in the Digital Humanities

Special thanks to Michael Tacca for helping Marina with bibliographical additions and formatting.

  • Anderson, Steve F. and Tara McPherson. “Engaging Digital Scholarship: Thoughts on Evaluating Multimedia Scholarship.” Profession (2011): 136-151. Print.
  • Anderson, Steve F. “Fair Use and Media Studies in the Digital Age.” Frames Cinema Journal 1 (2012): n. pag. Web.
  • Anderson, Steve F. “Past Indiscretions: Digital Archives and Recombinant History.” Transmedia Frictions The Digital, the Arts, and the Humanities. Eds. Marsha Kinder and Tara McPherson. Berkley, CA: University of California Press, 2014. 100-114. Print.
  •  Anderson, Steve F. “Regeneration: Multimedia Genres and Emerging Scholarship.” Pre/Text: A Journal of Rhetorical Theory 20.3 (2010): 175-195. Print.
  • Anderson, Steve F. Technologies of History: Visual Media and the Eccentricity of the Past. Hanover, NH: Dartmouth College Press, 2011. Print.
  • Bell, John. “The Variable Museum: Off-Topic Art.” Leonardo Electronic Almanac 19.1 (2011):12-29. Web.
  • Bowles, Kate, Richard Maltby, Deb Verhoeven, and Mike Walsh. The New Cinema History: A Guide. Oxford: Wiley-Blackwell, 2011. Print.
  • Brunick, Kaitlin, Ayse Candan, James Cutting, Jordan DeLong, and Catalina Iricinschi. “Quicker, Faster, Darker: Changes in Hollywood Film over 75 years.” i-Perception 2.6 (2011): 569-576. Print.
  • Clivaz, Claire, Frederic Kaplan, Melissa Terras, and Deb Verhoeven, eds. Digital Humanities. Spec. Issue of Digital Scholarship in the Humanities 30.1 (2014). Print.
  • Cohen, Hart. “Database Documentary: From Authorship to Authoring in Remediated/Remixed Documentary.” Culture Unbound 4.2 (2012): 327-346. Web.
  • Cutting, James, Jordan DeLong, and Christine Nothelfer. “Attention and Hollywood Films.”Psychological Science 21.3 (2010): 432-439. Print.
  • Gaines, Jane M. “Working in the Dream Factory.” Pink-Slipped: What Happened to Women in the Silent Era Motion Picture Industries? Champaign, IL: University of Illinois Press, forthcoming. Print.
  • Groo, Katherine. “Cut, Paste, Glitch, and Stutter: Remixing Film History.” Frames Cinema Journal 2 (2012): n. pag. Web.
  • Hagenmaier, Carl, Wendy Hagenmaier, and Eric Hoyt. “Media + History + Digital + Library: An Experiment in Synthesis.” Journal of E-Media Studies 3.1 (2013): n. pag. Web.
  • Hassapopoulou, Marina. “Analysis Beyond Analytics: Exploring the Transformative Crossover Between Cinema & Media Studies and the Digital Humanities,”  NYU Digital Humanities, NYU Center for the Humanities, April 2016. Web.
  • Hassapopoulou, Marina. “Reconfiguring Film Studies Through Software Cinema and Procedural Spectatorship” NECSUS: European Journal of Media Studies 3.2 (2014): n. pag. Web.
  • Hassapopoulou, Marina. “Interactive Pedagogy: Social Media Repurposing in Cinema Studies.” The Journal of Digital Media Arts and Practice. Forthcoming, 2016.
  • Heftberger, Adelheid. Kollision der Kader. Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities, 2016.
  • Hoyt, Eric, Kevin Ponto and Carrie Roy. “Visualizing and Analyzing the Hollywood Screenplay with ScripThreads.” Digital Humanities Quarterly 8.4 (2014): n. pag. Web.
  • Kinder, Marsha. “Designing a Database Cinema.” Future Cinema: The Cinematic Imaginary after Film. Ed. Jeffrey Shaw and Peter Weibel. Cambridge, MA: The MIT Press, 2003. 346-353. Print.
  • Kinder, Marsha and Tara McPherson, eds. Transmedia Frictions The Digital, the Arts, and the Humanities. Berkley, CA: University of California Press, 2014. Print.
  • Klenotic, Jeffrey. “Four Hours of Hootin’ and Hollerin’: Moviegoing and Everyday Life Outside the Movie Palace.” Going to the Movies: Hollywood and the Social Experience of Cinema. Eds. Richard Maltby and Melvyn Stokes. Exeter: University of Exeter Press, 2007. 130-154. Print.
  • Kolker, Robert. “Digital Media and the Analysis of Film.” A Companion to Digital Humanities. Eds. Susan Schreibman, Ray Siemens, and John Unsworth. Oxford: Blackwell, 2004. n. pag. Web.
  • Maltby, Richard. “New Cinema Histories.” Explorations in New Cinema History: Approaches and Case Studies. Ed. Richard Maltby, Daniel Biltereyst, and Philippe Meers. Malden, MA: Wiley-Blackwell, 2011. 3-40. Print.
  • Mamber, Stephen. “Marey, the Analytic, and the Digital.” Allegories of Communications. Eds. John Fullerton and Jan Olsson. London: John Libbey Publishing, 2006. 83-91. Print.
  • Manovich, Lev. “Visualizing Vertov.” Russian Journal of Communication 5.1 (2013): 44-55. Print.
  • Manovich, Lev and Alise Tifentale. “Selfiecity: Exploring Photography and Self-Fashioning in Social Media.” Postdigital Aesthetics: Art, Computation and Design. Eds. David M. Berry and Michael Dieter. New York: Palgrave Macmillan, 2015. 109-122. Print.
  • McPherson, Tara. “Introduction: Media Studies and the Digital Humanities.” Cinema Journal 48.2 (2009): 119-123. Print.
  • McPherson, Tara. “Why Are the Digital Humanities So White? Or Thinking the Histories of Race and Computation.” Debates in the Digital Humanities. Ed. Matthew K. Gold. Minneapoli, MN: University of Minnesota Press, 2012. 139-60. Print.
  • Posner, Miriam. “Digital Humanities and Media Studies: Staging an Encounter.” Society for Cinema and Media Studies Annual Conference. The Drake Hotel, Chicago. 8 March 2013. Workshop lecture.
  • Redfern, Nick. “Exploratory Data Analysis and Film Form: The Editing Structure of Slasher Films.” 2012. no. pag. Web.
  • Salt, Barry. “The Statistical Style Analysis of Motion Pictures.” Film Quarterly 28.1 (1974): 13-22. Print.
  • Tsivian, Yuri. “Beyond Comparing: The Internal Dynamics of Intolerance.” Cinemetrics. Web. <http://www.cinemetrics.lv/tsivian.php&gt;
  • Tsivian, Yuri. “Cinemetrics, Part of the Humanities’ Cyberinfrastructure.” Digital Tools in Media Studies. Eds. Bernd Freisleben, Manfred Grauer, and Michael Ross. Bielfeld: Transcript Verlag, 2009. 93-100. Print.
  • Tsivian, Yuri. “Cyberspace and its Precursors: Lintsbach, Warburg, Eisenstein.” Transmedia Frictions The Digital, the Arts, and the Humanities. Eds. Marsha Kinder and Tara McPherson. Berkley, CA: University of California Press, 2014. 80–99. Print.
  • Tsivian, Yuri. “Taking Cinemetrics into the Digital Age (2005-Now).” Cinemetrics. Web. < http://www.cinemetrics.lv/dev/tsivian_2.php>
  • Verhoeven, Deb. “Doing the Sheep Good: Facilitating Engagement in Digital Humanities and Creative Arts Research.” Advancing Digital Humanities: Research, Methods, Theories. Eds. Paul Longley Arthur and Katherine Bode. Basingstoke, UK: Palgrave MacMillan, 2014. 206-220. Print.
  • Williams, Mark. “Re-Wiring Media History: Inter-Medial Borders.” Convergence Media History. Eds. Sabine Hake and Janet Staiger. Abingdon, UK: Routledge, 2009. 46-56. Print.
  • Cinema Journal Teaching Dossier on DH and Media Studies Crossovers <http://www.teachingmedia.org/cinema-journal-teaching-dossier/>

PUBLICATION FORUMS/ MULTIMODAL JOURNALS/ ALT PUB

  • The Audiovisual Essay: An online repository for the papers, discussions and screening program of The Audiovisual Essay: Practice and Theory international conference and workshop. A companion publication to issue 1.3 of the new peer-reviewed journal [in]Transition, a collaboration between MediaCommons and the Society for Cinema and Media Studies’ official publication, Cinema Journal, [in]Transition is the first peer-reviewed academic periodical specifically given over to videographic film and moving image studies. The Audiovisual Essay includes guides to making and teaching about video essays, as well as reflections on the practice and theory of the audiovisual essay.
  • [in]Transition: A collaboration between MediaCommons and the Society for Cinema and Media Studies’ official publication, Cinema Journal, [in]Transition is the first peer-reviewed academic journal of videographic film and moving image studies.
  • Frames Cinema Journal
  • Scalar  institutional authoring platform for creating hypertextual narratives. Many scholars have published their work using Scalar – visit the site for examples.
  • Vectors interactive journal
  • The Journal of Interactive Technology and Pedagogy
  • In Media Res: A Media Commons project – You can propose themes and curate related clips with your analysis
  • More alternative dissertation/ multimedia publication resources here. 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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